What's your favorite Joseph Whiting Stock portrait? Maybe his charming niece and nephew? How about the one he painted after his death? - - - The girl on the left was sold as “Attributed to Joseph Whiting Stock (American, 1815-1855)” with much pomp and circumstance. It provides some wonderful catalog copy analyzing Stock’s difficulty with perspective, which I’m still very fond of, even if the attribution is dead wrong. Pun not intended. Guess what: the auction record for the identical companion portrait, the girl on the right , surfaced recently.
The art of resemblance is a tricky one. People don’t like being committed to memory in an unflattering likeness (just ask any photographer). Historically, artists often chose to enhance a person’s appearance, smoothing out any blemishes and modifying their features for the better. Most frequently, portraits aspired towards whatever the contemporary ideal of conventional beauty happened to be, which varied widely over time and culture. However, the underlying principle is the same: Don’t make them look bad.
Here's the transcript of my talk for the John Greenleaf Whittier Birthplace about Deacon Robert Peckham, "In Behalf of Oppressed Humanity." Many thanks to Whittier Birthplace director Kaleigh Paré Shaughnessy, and everyone who attended. Links are available here: Presentation Slides / Video . The transcript is verbatim (made with Turboscribe ); brackets indicate edits for clarity. This is a bit longer than most blog articles - thanks for reading, if you do! - - -
I’m delighted to announce that I’ve been asked to give an online lecture on Deacon Robert Peckham’s life and works, by the Whittier Birthplace, home of John Greenleaf Whittier, Peckham’s famous portrait subject. Among other new discoveries, I will be unveiling Peckham’s letters to John Quincy Adams, America’s 6th president. It is on February 27, 7pm Eastern time. Zoom registration is required, but it is free. I hope to see you there! - - - Sign-up link: http://bit.ly/peckhamwhittier or https://www.whittierbirthplace.org/events/zfj3f4a5ezsbsc7f5ba847cb7wp277
In which a terrifying little boy goes missing, but winds up immortalized in a classic horror movie. The process of compiling an artist’s works is never easy. Especially in folk art, unsigned pieces are often scattered far and wide, identified only by stylistic quirks and a tenuous chain of linked names and family connections. So, for the sake of thoroughness, whenever I’m tracking down an artist, I scrounge around as many sites as I can get my hands on. You never know what might turn up.
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